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This essay explores the complex relationship between irony, interdisciplinarity, and manifesto writing. It argues that manifestos, despite their seemingly firm and confident nature, often embody contradictory elements, especially when incorporating multiple disciplinary perspectives. It delves into the concept of antifoundationalism and irony, showing how manifestos reconcile confidence in their message with the doubt inherent in interdisciplinarity. The paper ultimately suggests that irony is key to understanding the role of interdisciplinarity in the manifesto genre, making it both persuasive and self-critical.
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